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2020 Power Brokers: Fine Arts, Risk & Insurance, February 2020.
After the Pace Gallery moved to their new global headquarters, Catherine Davis, head of collections said, “I don’t think we’d be in the new building without Anne.” Rappa kept Pace open during the move, and while preparing for the opening pointed out they could now hold five exhibitions and needed higher limits. “Anne understood the stress that put on us, especially after a big move, but she said, ‘Leave it with me, I’ll make it happen.’ And she did,” Davis said.
“I have never met anyone like Lynn Marcin,” said Rositta Kenigsberg, president of the Holocaust Documentation & Education Center. The Center was able to acquire on loan the flag from the Exodus 1947, the ship that carried Holocaust survivors to Palestine. Marcin took her broker duties a step further by speaking directly with the lenders about the level of care and commitment at the Center. “That was above and beyond the call of duty,” Kenigsberg said.
“Adrienne is among the best fine art insurance brokers I’ve worked with and is one of the best in her field,” said Susan Slepka Anderson, director of The Menil Collection. Reid placed their artwork in a program that enables the museum to insure international outgoing loans without impacting the museum’s regular fine art policy. “Adrienne is highly knowledgeable and available to review lender insurance, loan agreements and exhibition contracts to provide us with the best guidance at all times.”